Most of our early courses focused on equipping writers with the ability to use a video camera. The thinking was that photographers were too busy capturing stills to think video and carrying more kit just wasn’t practical.
Slowly, over time, though, more and more photographers came on our courses. What they lacked in video know-how they made up for in the ability to spot was works visually and what doesn’t.
I’ve just had a chance to see first hand a camera that will probably have all stills photographers now being asked to shoot video drooling with delight.
The Canon EOS 7D looks like a digital SLR, feels like a digital SLR, takes the highest quality still photos like the best digital SLRs and just happens to shoot broadcast quality video too.
Some of the results being achieved are quite stunning and to switch from shooting still to video all you do is flick one switch.
It does have some downsides which those used to more traditional video cameras won’t like.
The audio options are limited and the viewing screen you have to use when using the video option is embedded in the back of the camera and will be hard to see in bright sunlight. It’s heavy too and you’ll probably need to use a tripod all the time.
But photographers used to the look and feel of a traditional camera body will love it, and it will mean them carrying just one piece of kit not two if they are asked to shoot both still and moving pics.
Our video trainer, Christina Fox, a broadcast cameraman never more than a few feet from a Sony Z5 or V1 was so impressed she bought one. Praise indeed. Read her full review here.